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“[O’Meallie’s] objects quickly take on a life of their own. Some look old and historical with a hidden past to be discovered; some are like playful models of a new game with unwritten rules. In looking at the the variety of Sean’s clarity of vision and austerity of shape and form, it’s hard not to think of the frolicsome nature of Pieter Bruegel's painting of 1560, full of children's games and toys that still encourage inventive play. Maybe that is why his objects look so ripe and potent - they are waiting to become part of someone's life. They lie in waiting for a hand to make them move, make them come alive. They are full of a temptation of the hand and mind.”
- David Turner , Executive Director,
Colorado Springs Fine Arts Center, 1997
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